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Bibliography

Indigenous Fashion

 

Oakes, Jill. “Comparison of Factors Influencing Caribou and Copper Inuit Skin Clothing.” Dress. 19:1, 1992, 47-56.

Smith, Michèle Hayeur. “Evidence about Dress of Indigenous People: Canadian Territory.” Berg Encyclopedia of World 

        Dress and Fashion. Vol. 3, Part 1, 2011. 

Canadian Fashion

Bates, Christina. “The Nurse's Cap and Its Rituals.” Dress. 36:1, 2010, 21-40.

Bates, Christina. A Cultural History of the Nurse’s Uniform. Ottawa: Canadian Museum of Civilization, 2013.

Bates, Christina. “Creative Ability and Business Sense: The Millinery Trade in Ontario.” Framing Our Part: Constructing

      Canadian Women’s History in the Twentieth Century. Ed. by S. Cook, L. McLean, and K. O’Rourke. Montreal: McGill-

      Queen’s University Press, 2001, 348-358.

Bates, Christina. "Evidence About Dress in Canada." Berg Encyclopedia of World Dress and Fashion. Vol. 3, Part 1, 2011. 

Beirne, Anne. “Golden Parachute: Two High-Fashion Clothiers Tell the So-Ho Crowd How Best to Dress.” Canadian      

      Business. Vol. 58, No 2, February 1985. 26-30.

Bovey, Patricia E. Bustles and Rosepetals: Fashion Is Art, 1882-1910. Winnipeg: Winnipeg Art Gallery, 1980.

Brett, Katherine B. From Modesty to Mode: Dress and Undress in Canada, 1780-1967. Toronto: Royal Ontario  Museum /

      University of Toronto, 1967.

Brydges, Taylor and Hracs, B.J. “Entrepreneurial Pathways and Practices in the Canadian Fashion Industry.” University of

      Southampton Economy, Governance, Culture Working Paper Series. Working Paper 3. 2018.

Brydges, Taylor and Hracs B.J. “The Locational Choices and Interregional Mobilities of Creative Entrepreneurs within

       Canada’s Fashion System.” Regional Studies. Online first: 1-12, 2018.

Brydges, Taylor and Hracs B.J. "Consuming Canada: How Fashion Firms Leverage the Landscape to Create and 

       Communicate Brand Identities, Distinction and Values." Geoforum. 90, 2018, 108-118.

Brydges, Taylor. “Made in Canada: Local Production Networks in the Canadian Fashion Industry.” The Canadian

Geographer. 62:2, 2018, 238-249.

Careless, Virginia. Responding to Fashion: The Clothing of the O’Reilly Family. Victoria: Royal British Columbia Museum,  

      1993.

CBC Digital Archives, “What is Canadian Fashion.” September 9, 1954.  

Cole, Catherine C. GWG: Piece by Piece. Fredericton: Goose Lane, 2012.

Cooper, Cynthia. “Fashion Design in Canada.” The Canadian Encyclopedia.

Cooper, Cynthia. “The Garment Industry and Retailing in Canada.” Berg Encyclopedia of World Dress and Fashion.

      Volume 3: The United States and Canada, Part 2: Fashion in the United States and Canada, 2010.

Cooper, Cynthia. Magnificent Entertainments: Fancy Dress Balls of Canada’s Governors General 1876-1898. Fredericton,

      Hull: Goose Lane Editions and Canadian Museum of Civilization, 1997.

Cooper, Cynthia and Welters, Linda. “Brilliant and Instructive Spectacles: Canada's Fancy Dress Balls, 1876-1898.”

      Dress. 22:1, 1995, 3-21.

Dorosh, Michael. Cannuck: Clothing and Equipping the Canadian Soldier: 1939-1945. Missolua: Pictorial Histories

      Publishers,1995.

Filgiano, Laurie. Squeezing In and Zipping Up: Canada’s Involvement in the late 20th and 21st Century Trend of Fashion

      Exhibition. Masters Thesis in the Department of Art History at Concordia University, 2011.

Forrest, Jennifer. “Dressing Funny: Humour in Canadian Fashion.” Oh Canada Special Issue, Costume Society of Ontario

      Newsletter. Vol 43, No. 1, 2013, 12-17.

Gannagé, Charlene. Double Day, Double Bind: Women Garment Workers. Toronto: Women’s Press,1986.

Johnson, Laura C. and Johnson, Robert E. The Seam Allowance: Industrial Home Sewing in Canada. Toronto: Women’s

      Educational Press, 1982.

Kim, Alexandra. “The Couturier and the Maple Leaf.” Oh Canada Special Issue, Costume Society of Ontario Newsletter. Vol

      43, No. 1, 2013, 18-24.

Kim, Alexandra. “North American Markets.” London Couture: 1923-1975 British Luxury. Ed. by Edwina Ehrman and Amy

       de la Haye. London: V&A Publications, 2015.

Ladly, Martha. “Music and Dress in Canada.” Berg Encyclopedia of World Dress and Fashion. Vol. 3, Part 3, 2011. 

Lambert, Eleanor. “Canada.” World Fashion: People, Places, Resources. New York: R.R. Bowker, 1976.

MacKay, Elaine. Beyond the Silhouette: Fashion and the Women of Historic Kingston. Kingston: Agnes Etherington Art

      Centre, 2007.

Mackay, Elaine M. “How Clothes Make the Seaman.” Oh Canada Special Issue, Costume Society of Ontario Newsletter.

      Vol 43, No 2, 2013, 14-20.

Mackay, Elaine M. “Through the Lens of Fashion, Daguerreotypes, Dress and the Women of Canada West.” Dress 42:2,

      2016, 109-124.

Mida, Ingrid. “A Gala Performance Tutu.” Dress, 42:1, 2016, 35-47.

Mida, Ingrid. “The Re-collection of the Ryerson Fashion Research Collection.” Oh Canada Special Issue, Costume Society

      of Ontario Newsletter. Vol 43, No 2, 2013, 4-6.

Mida, Ingrid and Kim, Alexandra. “Finding New Homes for Dress Collections: The Case Study of the Suddon-Cleaver

       Collection.” Fashion Theory. Vol. 22: 4-5 2018, 485-505.

Palmer, Alexandra. Couture & Commerce: The Transatlantic Fashion Trade in the 1950s. Vancouver: UBC Press, 2001.

Palmer, Alexandra, ed. Fashion: A Canadian Perspective. Toronto: University of Toronto Press, 2004.

Palmer, Alexandra. “High-Tech, Streetwise and Eco-Natural.” Rotunda. 29, No. 3, Spring 1997. 24-33.

Palmer, Alexandra. “New Directions: Fashion History Studies and Research in North America and England.” Fashion

      Theory. 3, 1997. 1-16.

Palmer, Alexandra. Panache: 200 Years of Fashionable Woman. Vancouver: Museum of Vancouver, December 1990-

      August 1991.

Peters, Corrie. “Fashion Design Non-Eligible for Government Grants.” Canada Arts Connie C+ Magazine,2011. 

Petrov, Julia. " Dragon Robes and Prairie Ladies: The Incongruity Between Archives and Artifacts", Textiles and Text: Re-

       establishing the Links Between Archival and Object-Based Research. Edited by Maria Hayward and Elizabeth

       Kramer, Archetype Publications, 2007, 143-148.

Pine, Julia. “On Finding Canada's Fashionality.” Oh Canada Special Issue, Costume Society of Ontario Newsletter. Vol 43,

      No. 1, 2013, 4-6.

Routh, Caroline. In Style: 100 Years of Canadian Women’s Fashion. Toronto: Stoddard Publishing, 1993.

Steedman, Mercedes. Angels of the Workplace: Women and the Construction of Gender Relations in the Canadian

      Clothing Industry, 1890–1940. Oxford: Oxford University Press, 1997.

Townsend, Eve. “Exploring the Jewellery and Wardrobe Collections of Georgian and Eleanor Luxton.” Oh Canada Special  

      Issue, Costume Society of Ontario Newsletter. Vol 43, No 2, 2013, 21-28.

Triemsta-Johnston, Jennifer. “The Language of the Plain Sewing Sampler.” Oh Canada Special Issue, Costume Society of

      Ontario Newsletter. Vol 43, No 2, 2013, 7-13.

Wahl, Kimberly and Matthew David, Alison. “Matthew Cuthbert Insists on Puffed Sleeves: Ambivalence Towards Fashion

      in Anne of Green Gables." Anne’s World: A New Century of Anne of Green Gables. Ed. by I. Gammel and B. Lefebvre.

      Toronto: University of Toronto Press, 2010, 35-49.

Montreal Fashion

Bara, Iana. “Cradled in Furs: Winter Fashions in Montreal in the 1860s.” Dress. 16:1, 1990, 39-47.

Baril, Gérald, ed. Atmosphères. Rosie Godbout/Serge Paré; Georges Lévesues/Martin Rondeau; Marie Saint Pierre/Marc

      Montplaisir, catalogue d’exposition. Trans. Käthe Roth. Montréal: Centre de design de l’Université du Québec à

      Montréal, 2001.

Beaudoin-Ross, Jacqueline. Form and Fashion: Nineteenth-Century Montreal Dress. Montreal: McCord Museum, 1992.

Beaudoin-Ross, Jacqueline. “Marie-Paule Haute Couture.” Dress. 18:1, 1991, 15-26.

Communauté métropolitaine de Montréal. Textiles and Clothing Cluster. October 2004.

Cooper, Cynthia and Vallières, Nicole, eds. 90 Treasures, 90 Stories, 90 Years. Montreal: McCord Museum, 2011.

Dumont, Micheline, Michèle Jean, Marie Lavigne, and Jennifer Stoddard (The Clio Collective), Quebec Women, A History

      (L’Histoire des femmes au Québec depuis quatre siècles). Trans. Roger Gannon and Rosalind Gill. Toronto: The    

      Women’s Press, 1987.

Friede, Eva. “Andy Thê-Anh Closes Shop, Stages Sale Thursday.” The Gazette. November 30, 2010. 

Friede, Eva. “Bravo! A New Wave of Designers Puts Montreal Fashion Week on the Map.” The Gazette. September 10,

      2002, D1-D3.

Guernsey, Betty. Gaby: The Life and Times of Gaby Bernier, Couturière Extraordinaire. Toronto: Marincourt Press, 1982.

Higgins, Ross. “A la Mode: Fashioning Gay Community in Montreal.” Ed. by Anne Brydon and Sandra Niessen. Consuming

      Fashion: Adorning the Transnational Body. New York: Berg, 1998. 129-161.

Kenneally, Rhona Richman and Johanne Sloan. Expo 67: Not Just a Souvenir. Toronto: University of Toronto Press, 2010.

Kirkman, Emily. Fashioning Identity: The Hostesses of Expo 67. Masters Thesis in the Department of Art History: Concordia

      University, 2011.

Lewis, Robert . Manufacturing Montreal: The Making of an Industrial Landscape, 1850 to 1930. Baltimore: Johns Hopkins

      University Press, 2000.

MacKay, Donald. The Square Mile: Merchant Princes of Montreal. Vancouver: Douglas and McIntyre,1987.

Ministère du Développement économique, de l’Innovation et de l’Exportation, Pro Mode: The Québec Fashion and

      Clothing Industry Strategy – A Summary. October 2007. 1-8.

Potvin, John. “Exhibition Review: Yves Saint Laurent Style.” Fashion Theory. Vol. 14, Issue 2, 2010, 237–244.

Rantisi, Norma M. “The Prospects and Perils of Creating a Viable Fashion Identity.” Fashion Theory. Vol.15, Issue 2, 2011.

      259-266.

Sark, Katrina and Bélanger-Michaud, Sara Danièle. Montréal Chic: A Locational History of Montreal Fashion. Bristol:

      Intellect, 2016. 

Sark, Katrina, “The Language of Fashion and (Trans)Genders in Xavier Dolan's Films.” in Synoptique: An Online Journal of

      Film and Moving Image Studies. Special Issue: Xavier Dolan, Queer Nations, and World Cinema: Locating the Intimate       within the Global, 2016.  

Sark, Katrina and Bélanger-Michaud, Sara Danièle. "Montréal Chic: Institutions of Fashion – Fashions of Institutions.”  

      Fashion Theory Journal. Vol. 19.3, June 2015.

Sark, Katrina. “Denis Gagnon.” Suites Culturelles. November 13, 2014. 

Sark, Katrina. “Denis Gagnon – Fashion in Museum and on the Street.” Suites Culturelles. November 17, 2010.

Sark, Katrina. “Denis Gagnon – Pushing the Gender Boundaries.Suites Culturelles. October 11, 2012. 

Sark, Katrina. “Fashion Pop.” Suites Culturelles. September 26, 2013. 

Sark, Katrina. “Grace Kelly – From Philadelphia to Monaco – at Musée McCord.” Suites Culturelles. August 14, 2013. 

Sark, Katrina. “Helmer.” Suites Culturelles. April 11, 2015.  

Sark, Katrina. “Inside Montreal Fashion Week.” Cult Mtl. September 10, 2013. 

Sark, Katrina. “Jean-Paul Gaultier à Montréal.” Suites Culturelles. September 3, 2011. 

Sark, Katrina. “Marie Saint Pierre – 25 Years of Montréal Fashion.” Suites Culturelles. October 1, 2012.

Sark, Katrina. “Montréal Fashion Week – Fall 2012, Part 2.” Suites Culturelles. September 6, 2012.  

Sark, Katrina. “Music – Quebec From Charlebois to Arcade Fire.” Suites Culturelles. June 2, 2014. 

Sark, Katrina. “Pop Style: Fashion Pop and Puces Pop.” Cult Mtl. September 24, 2012. 

Sark, Katrina. “Rad Hourani – Montreal’s Innovator in Paris.” Suites Culturelles. December 28, 2014.

Sivil, Ashley. “The Fluidity of Gender in Denis Gagnon's Spring/Summer 2013 collection.” Oh Canada Special Issue,

      Costume Society of Ontario Newsletter. Vol 43, No. 1, 2013, 7-11.

Toronto Fashion

Leslie, D., Brydges, T., and Brail, S. “Qualifying Aesthetic Values in the Experience Economy: The Role of Independent

       Fashion Boutiques in Curating Slow Fashion.” Spatial Dynamics in the Experience Economy. Anne Lorentzen, Karin

       Topso Larsen and Lise Schroder, (eds.) New York: Routledge, 2015, 88-102.

McKnight, Alanna. “Dressmakers and Seamstresses in Toronto, 1834–1861.” Costume. 52:1, 2018, 48-73. 

Mendes, Pedro and Beauchamp, Terry. Walter Beauchamp: A Tailored History of Toronto. Vancouver: Figure 1

       Publishing, 2017.

Palmer, Alexandra and Townsend, Camilla. “Toronto and the Paris Haute Couture, 1945-1963.” Dress. 20:1, 1993, 79-85.

Sark, Katrina. "Bata Shoe Museum." Suites Culturelles. April 30, 2014. 

Sark, Katrina. "Big Fashion at ROM." Suites Culturelles. October 23, 2013. 

Sark, Katrina. "Bowie is... at the AGO in Toronto." Suites Culturelles. October 18, 2013. 

Sark, Katrina. “Denis Gagnon Interprets Alice in Toronto.” Suites Culturelles. June 17, 2011. 

Taylor, Rachel. A Common Thread: A History of Toronto’s Garment Industry. Toronto: Beth Tzedec Synagogue (Exhibition

      Pamphlet), 2003.

Wencer, David. "Historicist: Straitlaced Toronto​." Torontoist. October 12, 2013. 

Vancouver Fashion

Sark, Katrina. "Claus Jahnke's Fashion Collection." Suites Culturelles. November 27, 2015. 

Sark, Katrina. "Vancouver Fashion Week 2015." Suites Culturelles. September 30, 2015. 

Sark, Katrina. "From Rationing to Ravishing at the Vancouver Museum." Suites Culturelles. December 22, 2014. 

Sark, Katrina. "Berlin Fashion Treasures in Vancouver." Suites Culturelles. September 16, 2010.

Fashion and Technology

Berzowska, Joanna. “Electronic Textiles: Wearable Computers, Reactive Fashion, and Soft Computation.” Textile. Vol. 3,

      Issue 1, 2005. 2-19.

Berzowska, Joanna. “Preface.” XS Labs: Seven Years of Design Research and Experimentation in Electronic Textiles    

      and Reactive Garments. Montreal: XS Labs, 2010. 8-9.

Layne, Barbara.The Narrative Cloth: Textiles, Translations and Transmissions. Montreal: Studio subTela, 2011.

Layne, Barbara. The Re-Enchantment of Cloth. Exhibition Catalogue, Museo Textil de Oaxaca (MTO), March-June 2014.

O’Mahony, Marie. Cyborg: The Man-Machine. London: Thames and Hudson, 2002.

Sark, Katrina and Bélanger-Michaud, Sara Danièle. Montréal Chic: A Locational History of Montreal Fashion. Bristol:

      Intellect, 2016. 

Sark, Katrina. “Montreal Fashion Innovation and Technology – Barbara Layne.” Suites Culturelles. December 19, 2014.

Sark, Katrina. "Montreal Fashion Innovation and Technology - Hexoskin." Suites Culturelles. March 2, 2015. 

Fashion Ethics

Baden, Sally and Catherine Barber. "The Impact of the Second-hand Clothing Trade on Developing Countries." Oxfam,

      2005. 

Bhardwaj, V. and Fairhurst, A. “Fast Fashion: Response to changes in the fashion industry.” The International Review of

       Retail, Distribution and Consumer Research. Vol. 20, No. 1: 165–173, 2010. 

Boumphrey, Sarah. "The New Consumerism: Redefining Ownership, Values and Priorities," Euromonitor International,

       2016.

Brooks, Andrew. "East Africa's Ban on Second-hand Clothes Won't Save its Own Industry." The Guardian. May 4, 2016.   

Brooks, Andrew."The Hidden Trade in our Second Hand Clothes given to Charity” The Guardian. February 13, 2015.

Collins, Jane L. Threads, Gender, Labor, and Power in the Global Apparel Industry. University of Chicago Press, 2009.

Comaroff, John L. and Comaroff, Jean. “Fashioning the Colonial Subject.” Of Revelation and Revolution 2, 1997. 

Entwistle, Joanne. The Fashioned Body: Fashion, Dress and Social Theory. 2nd ed. Cambridge: Polity Press, 2015. 

Entwistle, Joanne and Wilson, Elizabeth, eds. Body Dressing: Dress, Body, Culture. Oxford: Berg, 2001. 

Fashion Revolution, "Fashion Transparency Index." Fashion Revolution. London: 2018.

Fletcher, Kate, Grose, Lynda and Hawken, Paul. Fashion & Sustainability, Design for Change. London: Laurence King,

       2012. 

Goldman, Robert, Deborah Health, and Sharon L. Smith. “Commodity Feminism.” Cultural Studies in Mass

      Communication, Vol. 8, 1991, 333-351.

Hall, Stuart and Tony Jefferson. Resistance Through Rituals: Youth Subcultures in Post-War Britain. New York: Routledge

       Press, 2000.

Hoskins, Tansy E. Stitched Up: The Anti-Capitalist Book of Fashion. Halifax: Fernwood Publishing, 2014.

Joergens, Catrin. “Ethical Fashion: Myth Or Future Trend?” Journal of Fashion Marketing and Management, Vol. 10 Issue:

       3, 2006, 360-371. 

Kaiser, Susan. The Social Psychology of Clothing: Symbolic Appearances in Context, 2nd ed. New York: Macmillan, 1990.

Karp, Ellen. The Key to Confidence: Consumers and Textile Sustainability—Attitudes, Changing Behaviors and

      Outlooks. Toronto: WEAR Conference, November 2017.

Klepp, Ingun G., and Rysst, Mari. "Deviant Bodies and Suitable Clothes." Fashion Theory, 21(1), 2017, 79-99.

Landgren, Trudy M., and Anupama Pasricha. "Transforming the Fashion and Apparel Curriculum to Incorporate

        Sustainability." International Journal of Fashion Design, Technology and Education 4, no. 3, 2011.

Medina-Vicent, Maria. “Flirting with Neoliberalism: The Transfiguration of Feminist Political Awareness." NORA: Nordic

        Journal of Feminist and Gender Research, Vol 26.1, 2018, 69-75.

Muratovski, Gjoko. "Empowerment By Design." Journal of Design, Business & Society, 2(2), 2016, 121-125.

Network for Business Sustainability. Innovating For Sustainability: A Guide for Executives. London, Canada: Network for

       Business Sustainability 2012.

Orr, David. The Nature of Design, Ecology, Culture, and Human Intention. Oxford University Press, 2002. 

Page, Nanette. and Czuba, Cheryl E. "Empowerment: What is it?" Journal of Extension, 37(5), 1999. 

Rottenberg, Catherine. “The Rise of Neoliberal Feminism.” Cultural Studies, Vol. 28.3, 2014, 418-437.

Scott, Linda M. Fresh Lipstick: Redressing Fashion and Feminism. New York: Palgrave Macmillan, 2005.

Sternadori, Miglena and Mandy Hagseth. “Fashionable Feminism or Feminist Fashion?” Media Report to Women, Vol.

        42.4, 2014, 12-21.

Sweeny, Glynis. "Fast Fashion Is the Second Dirtiest Industry in the World, Next to Big Oil," Ecowatch, August 17, 2015. 

Taplin, Ian Malcolm. “Global Commodity Chains and Fast Fashion: How the Apparel Industry Continues to Re-invent

      Itself.” Competition & Change 18, no. 3, 2014, 246–264.

The Business of Fashion and McKinsey & Company, "The State of fashion 2018." The Business of Fashion, 2018.

The True Cost. Dir. Andrew Morgan, 2015. 

Thomas, Sue. “From ‘Green Blur’ to Ecofashion: Fashioning an Eco-Lexicon.” Fashion Theory. 12.4, 2008, 525-539.

Ulrich, Pamela, Anderson‐Connell, Lenda Jo, and Wu, Weifang. Consumer Co‐Design of Apparel for Mass

       Customization," Journal of Fashion Marketing and Management, 7(4), 2003, 398-412.

Warren, Karen J. Ecofeminist Philosophy: A Western Perspective on What It Is and Why It Matters. New York: Rowman and

       Littlefield, 2000.

Woodward, Sophie. Why Women Wear What They Wear. Oxford: Berg, 2007. 

Wu, Juanjuan. "Co-Design Communities Online: Turning Public Creativity Into Wearable and Sellable Fashions." Fashion

      Practice, 2(1), 2010, 85-104.

Fashion in Canadian Literature

Carrier, Roch. The Hockey Sweater. Trans. Sheila Fishman. Toronto: Tundra Books, 1979.

David, Alison Matthews, and Wahl, Kimberly. “‘Matthew Insists on Puffed Sleeves’: Ambivalence towards Fashion in Anne

     of Green Gables.” Anne's World: A New Century of Anne of Green Gables. Edited by Irene Gammel and

      Benjamin Lefebvre. Toronto: University of Toronto Press, 2010, pp. 35–49.

Gallant, Mavis. Montreal Stories. Toronto: McClelland and Steward, 2004.

Heti, Sheila, Julavits, Heidi, and Shapton, Leanne. Women in Clothes. New York: Penguin, 2014. 

Kuhn, Cynthia G. Self-fashioning in Margaret Atwood's Fiction: Dress, Culture, and Identity. New York: Peter Lang, 2005.

Richler, Mordecai. The Apprenticeship of Duddy Kravitz. Toronto: McClelland & Steward, 2006 (1959).

Weinzweig, Helen. Basic Black with Pearls. Toronto: A List, 2015.

Young, Phyllis Brett. The Torontonians: A Novel. Montreal: McGill-Queen's University Press, 2007 (1960).

En Français

Baril, Gérald, ed. Atmosphères. Rosie Godbout/Serge Paré; Georges Lévesues/Martin Rondeau; Marie Saint Pierre/Marc

      Montplaisir, catalogue d’exposition. Trans. Käthe Roth. Montréal: Centre de design de l’Université du Québec à

      Montréal, 2001.

Baril, Gérald. “Design de Mode.”  Ed. by Marc H. Choko, Paul Bourassa, Gérald Baril. Le Design au Quebec, industriel,

      graphique, de mode. Montréal: Les Editions de l’Homme, 2003.

Baril, Gérald. Dicomode: dictionnaire de la mode au Québec de 1900 à nos jours. Montréal:  Les Editions Fides, 2004.

Baril, Gérald. “Mode, antimode et quête de sens.” Ed. by Y. Boivert, L. Olivier. À chacun sa quête. Essais sur les nouveaux

      visages de la transcendance. Sainte-Foy: Presses de l’Université du Québec, 2000. 137-154.

Baril, Gérald. La mode à Montréal au XXe siècle : un héritage culturel à mettre au jour : rapport à la Direction de

      Montréal du Ministère de la culture et des communications du Québec. Sainte-Foy, Québec: INRS-Culture et société,

      1999.

Bouchard, Lorraine. La mariée au grand jour. Modes, coutumes et usages au Québec. 1910-1960. Montréal: Hurtubise

      HMH, 1998.

Brasset, Rose-Line. À la mode de chez nous, 1860-1980. Québec: Les publications du Québec, 2013.

Charest, Nicole. Michel Robichaud. Montréal: Éditions de l’Homme, 1988.

Choko, Marc H, Paul Bourassa and Gérald Baril, eds. Le design au Québec : industriel, graphique, de mode. Montréal :

      Les Éditions de l’Homme, 2003.

Crespel, Anne-Caroline. Les Archives de Radio-Canada. Entrevue avec Michel Robichaud. 2007. 

Desrochers, Lucie. Le champ de la mode vestimentaire au Québec et les strategies des designers. Thèse de doctorat en

      sciences humaines appliquées. Montréal: Université de Montréal, 1995.

Dufort, Jules, and Bertrand Nadeau. L’industrie québécoise de l’habillement depuis l’entrée en vigueur de l’accord de

      libre-échange. Québec: Ministère de l’Industrie et du Commerce, 1999.

Dulac, Françoise. L’évolution de la mode couture au Québec depuis 1960. Mémoire de maîtrise en sociologie. Québec:

      Université Laval, 1989.

Dumas, Jocelyn. “Parachute: une voilure qui couvre le jet-set.” Le Devoir économique. Vol. 1, No. 2, October 1985. 310-

      31.

Farinotti, Deborah. “Comment va notre mode?” Clin d’œil. March 2015. 61-64.

Gagné-Collard, Agathe, Suzanne Lussier, and Jocelyne Mathieu. “La mode vestimentaire feminine en milieu urbain au

      Québec.” L. Turgeon, J. Létourneau and K. Fall, eds. Les espaces de l’identité. Sainte-Foy: Les Presses de l’Université

      Laval, 1997.

Gill, Pauline. Gaby Bernier, la Coco Chanel du Québec. Volumes 1-3. Montréal: Les Éditions Québec Amérique, 2012-

      2014.

Giroux, Jacqueline. Yvette Brillon. Femme de coeur et femme de têtes. Longueil: La Société historique du marigot de

      Longueil, 1989.

Hamel, Nathalie. Créer des costumes régionaux au Québec : entre l’(inventé) et l’(authentique). Dissertation Universite

      Laval, 1998.

Hanson, Michel W. La mode québécoise un secteur d’avenir. Québec: Ministère de l’Industrie, du Commerce et de la

      Technologie, Direction des industries de la mode et des textiles, 1992.

Lalane, Julie. “Une mode pour soi.” Marie-Charlotte de Koninck, ed. Jamais plus comme avant! Le Québec de 1945 à

      1960. Montréal: Fides, 1995.

Lessard, Michel. “L’ère des grands magasins au Québec.” Cap aux Diamants: Les Grands Magasins un Nouvel Art deVivre.

      Number 40, Winter 1995. 10-16.

Lévesque, Hélène. “Une école sur mesure pour la relève de mode Québécoise.” Réseau, Le magazine de l’Université du

      Québec. Vol. 28, No. 5, Février 1997.

Marchand, Suzanne. Rouge à lèvres et pantolon: Des pratiques esthétiques féminines controversées au Québec 1920-

      1939. Montréal: Éditions Hurtubise HMH, 1997.

Papineau, Jean-Marc. “Denis Gagnon, Électron libre.” TOP Québec, le magazine des créateurs de mode d’ici. Vol. 1, No. 1,

      Winter 2012. 45-54.

Trudel, Robert. “Famille, foi et patrie: le credo de Dupuis et Frères.” Cap aux Diamants: Les Grands Magasins un

      Nouvel Art de Vivre. Number 40, Winter 1995. 26-29.

Vallières, Carole. Les saisons de la mode à Montréal. Montréal: Le Caïus du livre, 2009.

Compiled by Katrina Sark, with the assistance of Ingrid Mida and Alexandra Kim. 

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